/tagged/sally+mann/page/2
Marilyn’s Toes, 1994

Marilyn’s Toes, 1994

Kissing Virginia, 1992

Kissing Virginia, 1992

Floating Virginia / White Boy Peeing, 1991

Bossing Trouble, 1991

Bossing Trouble, 1991

My plates are horribly flawed. But of course, it’s the flaws I like. So you pray, ‘Please don’t let me screw it up, but just screw it up a little bit, just enough to make it interesting.’
Sally Mann on Art21. (via tobia)

INTERVIEW: Sally Mann – “The Touch of an Angel” (2010)

  • Jiang Rong: One of the words most often used to describe your work is “unflinching”. To me, you dare to break the taboos, like sex, nudity, and death. Is it important for an artist to be so unafraid?
  • Sally Mann: There is a great quote from a female writer. She said, “If you don’t break out in a sweat of fear when you write, you are not writing well enough.” I tend to agree. I think my best pictures come when I push myself and tell myself, “That’s not good enough. I could do better”. Working with Larry, there were times when I knew I was close to a picture, but it was not quite there. So I said, “Let’s just work a little more”. I was out of my comfort zone and started to have anxiety about these pictures. I would wonder if maybe some pictures were too risky or too revealing, that maybe this picture makes Larry look bad. There is one in which he is curled up in a fetal position and looks so helpless. I saw that scene and said to myself, “Do I dare take a picture like that?” I was sweating, but I did. You have to be overcome your fear of the picture and take it.

designed-to-die:

sally mann - from the series deep south

Marilyn’s Toes, 1994

Marilyn’s Toes, 1994

Kissing Virginia, 1992

Kissing Virginia, 1992

Floating Virginia / White Boy Peeing, 1991

Bossing Trouble, 1991

Bossing Trouble, 1991

(Source: mahataab)

(Source: lime-treearbour)

My plates are horribly flawed. But of course, it’s the flaws I like. So you pray, ‘Please don’t let me screw it up, but just screw it up a little bit, just enough to make it interesting.’
Sally Mann on Art21. (via tobia)

INTERVIEW: Sally Mann – “The Touch of an Angel” (2010)

  • Jiang Rong: One of the words most often used to describe your work is “unflinching”. To me, you dare to break the taboos, like sex, nudity, and death. Is it important for an artist to be so unafraid?
  • Sally Mann: There is a great quote from a female writer. She said, “If you don’t break out in a sweat of fear when you write, you are not writing well enough.” I tend to agree. I think my best pictures come when I push myself and tell myself, “That’s not good enough. I could do better”. Working with Larry, there were times when I knew I was close to a picture, but it was not quite there. So I said, “Let’s just work a little more”. I was out of my comfort zone and started to have anxiety about these pictures. I would wonder if maybe some pictures were too risky or too revealing, that maybe this picture makes Larry look bad. There is one in which he is curled up in a fetal position and looks so helpless. I saw that scene and said to myself, “Do I dare take a picture like that?” I was sweating, but I did. You have to be overcome your fear of the picture and take it.
toinephoto:

Sally Mann

toinephoto:

Sally Mann

designed-to-die:

sally mann - from the series deep south

This Week in Photography History: The Birth of Sally Mann
"My plates are horribly flawed. But of course, it’s the flaws I like. So you pray, ‘Please don’t let me screw it up, but just screw it up a little bit, just enough to make it interesting.’"
INTERVIEW: Sally Mann – “The Touch of an Angel” (2010)

About:

This tumblr is dedicated to the photographer Sally Mann. Time Magazine named her America's Best Photographer in 2001, writing:

"Mann recorded a combination of spontaneous and carefully arranged moments of childhood repose and revealingly—sometimes unnervingly—imaginative play. What the outraged critics of her child nudes failed to grant was the patent devotion involved throughout the project and the delighted complicity of her son and daughters in so many of the solemn or playful events. No other collection of family photographs is remotely like it, in both its naked candor and the fervor of its maternal curiosity and care."

Following: